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Christo's GatesTuesday 15 February 2005 By a strange twist of fate, I was in New York City over this past weekend, so I was able to experience The Gates firsthand, on its first day, no less. Good points:
Bad points:
Overall, I give it a thumbs-up. Oh yeah, we also saw Julian Sands in the park. | |
Comments
If you want to get a sense of scale of The Gates, have a look at this: http://www.spaceimaging.com/gallery/spacepics/central_park_12Feb05.jpg (warning: 2.5Mb jpg)
Your good/bad points make it sound like, for you, a work of art has to involve you personally, so you feel like you are a part of the work, and can relate to the concept. Many will agree with you on this.
However, many others (especially those of us who got art degrees and had years of discussing these points) would argue that any art that makes you think and react is a success. Your bad points might actually be exactly what the artist wanted to convey. He may have wanted to give you that subliminal feeling of danger. And the dichotomy of scope is absolutely a valid artistic point. Frankly, this work is much better than many of his previous works because it can provoke such a great variety of reactions and thoughts.
One of the beautiful things about art is when you get a variety of reactions. Many times, the message of the work is something that the creator never even thought about. That is what makes this kind of installation so interesting.
Hi Ned, I was there on Sunday too! Would have been fun to meet up (third gate on the left after the hot dog stand?). I really loved this project! Initially I was skeptical but once I started walking around the whole festival atmosphere really drew me in. What was most thrilling to me was how it affected the Gate walkers. Everyone was smiling, happy, excited and friendly. I have never experienced Central Park quite like this before!
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